Blog Club Opéra

Les Voies de la Musique présente “Les trésors de l’opéra français” du 3 septembre au 12 décembre

Fabino — Sun, 10 Aug 2008 08:23:18 +0000

Temple protestant de l’Oratoire du Louvre
145 rue Saint-honoré - 75001 Paris

Septembre : les 3-10-17-24 à 20H00
Octobre : les 1-8-10-15-22-29 à 20H00
Novembre : les 5-12-19-21-26-28 à 20H00

Église Évangélique Allemande
25 Rue Blanche - 75009 Paris

Septembre: les 5-12-19-26 à 20H00
Octobre : les 3-17-24-31 à 20H00
Novembre : les 7-14 à 20H00
Décembre : le 12 à 20H00

Une sélection des plus beaux airs d’opéra français interprétés par une soprano, une mezzo-soprano et un ténor.

H. Berlioz de « Béatrice et Bénédicte »
Ouverture

J. Offenbach de « Les contes de Hoffman »
Belle nuit, ô nuit d’amour

C. Gounod de « Roméo et Juliette »
Ah ! Je veux vivre dans le rêve qui m’enivre

Massenet de « Manon »
Ah fuyez, douce image

Saint-Saëns « Samson et Dalila »
Dance des prêtresses

G. Meyerbeer de « Huguenots »
Noble seigneur

G. Bizet de « Carmen »
Parle–moi de ma mère - Attends un peu maintenant

J. Massenet de « Werther »
Pourquoi me réveiller - acte II

C. Bizet de « Carmen »
Entr’acte IV

J. Offenbach de « Le Contes de Hoffman »
“Il était une fois à la cour d’Eisenach

L. Delibes de « Lakme »
Dome epais le Jasmin

C. Gounod de « Faust »
Nuit de Walpurgis

C. Saint-Saëns de « Samson et Dalila »
Mon cœur s’ouvre a ta voix

J. Massenet de « Manon »
Je marche sur tous les chemins et Gavote

J. Offenbach de « Le contes d’Hoffman »
Adieux! Je ne veux pas te suivre

Réservations : I + 33 06 59 25 74 06

Entrée / Admission - Plein tarif / Full price 40 € - Tarif réduit / Reduction 30 €
Réduction / Reduction (place latérales, balcons, MOINS DE 18 ANS, ETUDIANTS)

Billets en ligne / Tickets on line
FNAC / viennaticketoffice.com / ClassicTic.com

Sur place 2 heures avant le début du concert

Informations : http://www.lesvoiesdelamusique.com

Il faut Otello pour que Lucia di Lammermoor… Opera Australia, du 18 juillet au 6 décembre 2008 (part. 2)

Fabino — Sat, 26 Jul 2008 05:59:21 +0000

Otello - Verdi

Sydney Opera House: 18 Jul - 15 Aug
State Theatre, Arts Centre: 18 Nov - 6 Dec

Shakespeare’s tragic story, Verdi’s music and the soaring voices of Dennis O’Neill, Cheryl Barker and Jonathan Summers. Sparks will fly.

Otello has triumphed over the Turks, but his real enemy lies at home. His ensign Iago covets absolute power and sets out to play Otello and his wife Desdemona in a deadly game of sex and politics.

Harry Kupfer’s acclaimed production sets Verdi’s stormy score in a war-torn palace where friends become foes and lovers become victims. Dennis O’Neill and Cheryl Barker, as Otello and Desdemona, fling passionate duets into the furthest reaches of the theatre, Jonathan Summers is the dark and fascinating Iago and Simon Hewett conducts Verdi’s exhilarating music, a giant of the romantic repertoire.

The role of Otello is among Verdi’s most demanding singing and acting roles and so we were fortunate to find American tenor Franco Farina available to take Mr Shin’s place. Mr Farina’s reputation as a Verdi specialist is well known, particularly at the Metropolitan Opera in New York where he has sung 11 leading roles. The downside of this last-minute casting is that he is not available to sing on Thursday 11 December and so our decision was made to cancel the performance that day.

Dennis O’Neill - Otello

Born in Wales of Irish and Welsh parents, Dennis O’Neill CBE is one of the world’s leading tenors and a specialist in the works of Verdi.

He has enjoyed a long association with the Royal Opera House, Covent Garden, where his many roles have included Rodolfo (La bohème), Duca (Rigoletto), Pinkerton (Madama Butterfly), Edgardo (Lucia di Lammermoor), Macduff (Macbeth), Gustavo (Ballo in Maschera), Foresto (Attila), Otello, Don Carlos, Radames (Aida), Aroldo (in concert), Carlo (Giovanna d’Arco), and Jacopo (I due Foscari).

For the Metropolitan Opera he has appeared as Alfredo (La Traviata), Radames (Aida) – conducted by Levine and Domingo - La Bohème, Rigoletto Turiddu (Cavalleria Rusticana) and Canio (I Pagliacci). Other North American engagements have included Chicago Lyric Opera, San Francisco, San Diego, Vancouver Opera and concerts with the Philadelphia, Cleveland, Montreal, and Ottawa Symphonies, and for the Cincinnati Festival. He has appeared in São Paolo and Santiago.

A frequent guest at the Bayerische Staatsoper, Munich, his debut in Ballo in Maschera was followed by a new production of Manrico (Il Trovatore), Der Rosenkavalier, Tosca, Lucia, Gabriele Adorno (Simon Boccanegra), Aida and the title role in Otello. Elsewhere in Europe he has visited the opera houses of Vienna, Berlin, Bonn, Cologne, Hamburg, Nice, Zurich, Paris, Oslo, Brussels, Barcelona, Oviedo, the Arena di Verona and Turin. He enjoys a close relationship with Welsh National Opera.

Dennis O’Neill is also a very busy concert artist and is well known for his performances of Verdi’s Requiem which he has televised no less than seven times, and has sung throughout Europe with conductors including Muti, Sir Colin Davis, Sinopoli, Simon Rattle and Sir John Pritchard. Notable concert performances have included Idomeneo with Sir Charles Mackerras at the BBC Proms, Oberto at the Edinburgh Festival, Aida in Tel Aviv with Mehta, Le Damnation de Faust in Paris with Dutoit, Tosca in Cleveland with Slatkin and The Dream of Gerontius in London with Svetlanov. He has given recitals at Covent Garden and La Monnaie in Brussels.

Dennis O’Neill’s own television series for the BBC were enormously popular (the accompanying recording went to the top of the classical record charts) and he has subsequently completed a television film on Caruso another featuring famous movie themes. His many recordings include solo albums, videos of Der Rosenkavalier with Solti, Die Fledermaus with Kiri te Kanawa conducted by Domingo, Macbeth with Sinopoli, and Mefistofele from San Francisco. Recent releases include La fanciulla del West with Slatkin and Verdi’s Requiem with Sir Colin Davis, both for BMG/RCA; Tosca, La bohème, Cavalleria Rusticana, I Pagliacci, Aida and Turandot, and a solo disc of operatic arias, all for Chandos. His anthology of Italian Song featuring songs by Bellini, Donizetti, and Verdi is shortly to be released on Naxos.

He has recently sung performances Cav and Pag, Tosca and Il trovatore for Opera Australia and Cav and Pag in Perth, Australia, Otello in Hamburg and Munich, Lucia di Lammermoor in Munich, Aida in Munich and Dresden, Ballo in Lisbon and Munich, La Gioconda in concert for ENO, Turandot at the Met and Covent Garden, Ballo in Rome, Aida in Munich and Catania, Norma in Barcelona and I Pagliacci at Covent Garden; a tour of Verdi Requiem with La Scala and Muti, and The Dream of Gerontius in Munich with Mehta and in London with Elder. Recent commitments include Tosca for Welsh National Opera, Otello in Brazil, Turandot for Opera Australia, Leopold Halévy’s La Juive for Covent Garden, and Canio for Netherlands Opera, as well as concerts throughout Europe.

Cheryl Barker - Desdemona

Cheryl Barker studied in Melbourne with Dame Joan Hammond and in London with David Harper.

She appears regularly with Opera Australia, where her roles have included Nedda in I pagliacci, the Countess in Le nozze di Figaro, Mimì in La bohème, Violetta in La traviata, Donna Elvira in Don Giovanni, Tatyana in Eugene Onegin and the title roles in Madama Butterfly, Tosca and Jenufa. She has also sung Violetta for Opera Queensland, and Madama Butterfly and Violetta for BTR New Zealand Opera.

Internationally, Cheryl Barker is particularly noted for her performances of Madama Butterfly, singing this role for English National Opera, De Vlaamse Opera, Hamburg State Opera, Deutsche Oper, Berlin, Netherlands Opera and Houston Grand Opera for whom she has also performed Sarah in the world premiere of Jake Heggie’s The End of the Affair. Other international appearances include Jenifer (A Midsummer Marriage) for the Royal Opera, Covent Garden, Tatyana and Adina (L’elisir d’amore) for Scottish Opera, Oksana (Christmas Eve), Foreign Princess (Rusalka), Governess (The Turn of the Screw), Musetta (La bohème), Donna Elvira, Tosca, Salome and Emilia Marty (The Makropoulos Case) for English National Opera; the title role in Maria Stuarda for ReisOper; Violetta for Hamburg State Opera and the Deutsche Oper; Suor Angelica, Giorgetta (Il Tabarro),Mimi, Desdemona (Otello) and Liu (Turandot) for De Vlaamse Opera and Katya Kabanova for Welsh National Opera and in Geneva.

On the concert platform, Cheryl Barker has appeared at many prestigious venues including London’s Barbican, Royal Albert Hall, Queen Elizabeth Hall, Wigmore Hall, St John’s Smith Square, and with the Halle Orchestra. She has sung in the Edinburgh, Spoleto and Melbourne Festivals.

Recent and forthcoming engagements include the title role in Rusalka, all three soprano roles in Il Trittico, her role debut as Arabella as well as Desdemona and Emilia Marty for Opera Australia, concerts with the Sydney Symphony Orchestra and Miss Jessel (The Turn of the Screw) for English National Opera. As a result of a highly successful national tour for Musica Viva in 2005 she will tour again for them in 2008.

Jacqueline Dark - Emilia

Jacqueline Lisa Dark (also Jacqueline Moran) was born in Ballarat, Victoria and attended the University of Ballarat from 1986 to 1988, receiving a Bachelor of Science (Physics) and a Graduate Diploma of Education in 1989.

A mezzo-soprano, Dark trained at the Victorian College of the Arts from where she received first class honours in the Graduate Diploma of Opera 1995. Jacqueline has performed with Opera Australia, Victorian State Opera, was young artist for Opera Queensland in 2000, Vienna State Opera (roles of Giovanna (Rigoletto), Grimgerde (Die Walküre), Annina (La Traviata), Mercedes (Carmen), and Il Pastore (shepherd) in (Tosca) - Wiener Staatsoper in 2001).

Jacqueline Dark performed the roles of Sally Lowe in the world premiere of Lindy and the title role in Iolanthe for Opera Australia, and covered the role of Pearl in the world premiere of Richard Mills’ Summer of the Seventeenth Doll. She has also appeared as a soloist with groups including the Melbourne Chorale, the Australian Opera and Ballet Orchestra (concert series), Orchestra Victoria, The Australian National Academy of Music, The Royal Philharmonic Society and Queensland Symphony Orchestra.

Among Jacqueline’s awards and major prizes are a Green Room Award for her role of in Opera Australia’s La Cenerentola (2004), an Overseas Study Grant, Australian Elizabethan Theatre Trust (2001), the Vienna State Opera Award (2000), 3rd place in the Metropolitan Opera finals (1999), as well as a finalist in McDonald’s Operatic Aria (1999, 2000), Herald Sun Aria (1998, 2000), National Liederfest (2000), Covent Garden National Opera Studio Scholarship (1998). She has won the Ringwood Aria 1997, Geelong Aria (1997), Fletcher Jones Memorial Aria (1994), Shell Aria (1993), Victorian Theatre Guild Award (Performance of Distinction) (1989), Encore Award for Performance of Excellence (1986).

Kanen Breen - Casio

Kanen Breen is a graduate in drama and dance, of DEAKIN UNIVERSITY, in 1994, being the top ranking graduating student and leading him to be accepted as an Associate Member of the AUSTRALIAN COLLEGE OF EDUCATORS.

His early operatic rôles included Remendado in EASTERN METROPOLITAN OPERA’s season of CARMEN and Ferrando in FRANKSTON ARTS CENTRE’s season of the COSI FAN TUTTE as well as the title rôle in Anthony Crowley’s VINCENT-AN ACAPELLA OPERA. Of his performances in this rôle, THE AUSTRALIAN wrote, Kanen Breen’s powerful portrayal of the tormented artist provides a central core around which all else radiates. His is a gripping and dramatically astute reading with superb vocal impact. He sang the rôle of Almaviva for OPERA AUSTRALIA’s OZ OPERA touring production of THE BARBER OF SEVILLE during 1999 appeared in the MELBOURNE FESTIVAL’s production of Jonathan Mills’ THE GHOSTWIFE, performances which he repeated at the ADELAIDE FESTIVAL in 2000, at the 2001 SYDNEY FESTIVAL and in London, during 2002, at the BARBICAN’s BITE festival.

Kanen Breen joined OPERA QUEENSLAND’s YOUNG ARTIST PROGRAM in 2001 as part of which commitment he appeared as Nadir in performances of THE PEARLFISHERS and Monostatos in THE MAGIC FLUTE. For OPERA QUEENSLAND, during 2002, he sang Ramiro in CENERENTOLA and created the rôle of Rory in OPERA AUSTRALIA’s world premiere production of Grabowsky’s LOVE IN THE AGE OF THERAPY in the 2002 MELBOURNE INTERNATIONAL FESTIVAL, and again, in the SYDNEY FESTIVAL season in 2003. In June 2003, he made his international debut in the rôle of Rodolfo, in Baz Luhrman’s Broadway production of Puccini’s La Boheme in New York.

Kanen Breen has been a contracted principle artist for OPERA AUSTRALIA since 2004. His first engagements included Camille in THE MERRY WIDOW and Nanki Poo in THE MIKADO and, during 2005, Truffaldino in THE LOVE FOR THREE ORANGES, Florville in IL SIGNOR BRUSCHINO, Alfred in DIE FLEDERMAUS, Monostatos in THE MAGIC FLUTE and Ralph Rackstraw in HMS PINAFORE.

Roles during 2006 for OPERA AUSTRALIA included Sellem in THE RAKE’S PROGRESS, Marco Palmieri in THE GONDOLIERS, Dr. Caius in FALSTAFF and Pong in TURANDOT and during 2007 he has appeared as, Andres/Cochenille/Pittinaccio/Frantz/Nathanael in THE TALES OF HOFFMANN, Pirelli in SWEENEY TODD, Almaviva in THE BARBER OF SEVILLE, Rinuccio in GIANNI SCHICCHI, made a return to Marco Palmieri in THE GONDOLIERS and sang Nadir in the company’s performance in the MYER MUSIC BOWL in Melbourne, of The Pearlfishers. During 2007 he has also made his debut for VICTORIAN OPERA in its premiere season of THROUGH THE LOOKING GLASS.

His recent concert engagements have included OPERA UNDER THE STARS for the BRISBANE FESTIVAL and performances of CARMINA BURANA for the BRISBANE RIVERFESTIVAL, and at the TOWNSVILLE CIVIC THEATRE, for OZ OPERA’s opera concert at OLYMPIC PARK in Sydney and in OPERA AUSTRALIA’s gala farewell concert for Maestro Carlo Felice Cilario.

Andrew Brunsdon - Roderigo

Brilliant young heldentenor Andrew Brunsdon completed his Graduate Diploma in Opera at the Sydney Conservatorium, with a high distinction in performance in 1996. As a baritone, he performed the roles of Speaker and Second Armed Man with Opera Australia’s OzOpera tour of The Magic Flute (1997) and Figaro in their tour of The Barber of Seville (1998).

Other achievements included the roles of Paco for the Sydney Festival’s presentation of Manuel de Falla’s La Vida Breve (1997), Eumee for Australia Ensemble’s production of Penelope (1997), Cassandro in the Sydney Conservatorium’s production of La Finta Semplice (1996), the bass role in both Haydn’s Creation and Mozart’s Requiem with Willoughby Symphony Orchestra, the bass in Olivert to Calvery by Maunder and a solo recital of Schubert’s Swanengesang.

Mr Brunsdon was also a regular competitor in various scholarship competitions. In 1997 and 1998, he was named as a finalist in the Covent Garden Scholarship competition. In 1996 he reached the finals of the McDonald’s Aria Competition.

In 2000, Mr Brunsdon sang Masetto in Opera Australia’s Don Giovanni for the Olympic Arts Festival and performed the role of Christus in Willoughby Symphony Orchestra’s St. John’s Passion. He then successfully made the transition to the tenor register.

2001 engagements included the role of The Celebrant in Bernstein’s Mass for the Intervarsity Choral Festival and the Adelaide Symphony Orchestra, the role of Siegmund in the Tiroler Festspiele production of Die Walküre in Austria (which he repeated in 2004) and Anthony Hope in Opera Australia’s new production of Sweeney Todd. His roles since then for Opera Australia have included Strephon in Iolanthe, Mercury in Orpheus in the Underworld, Narraboth in Salome, The Steersman in The Flying Dutchman and Tenor Soloist in Beethoven’s 9th Symphony. For State Opera of South Australia, he has sung Father Grenville in Dead Man Walking and Froh in Das Rheingold (recorded and subsequently released by Melba Recordings).

In 2005, Andrew Brunsdon sang Alfred in Die Fledermaus, Tybalt in Romeo et Juliette and Ralph Rackstraw in HMS Pinafore for Opera Australia and Siegmund and the title role in Oedipus Rex for the Tiroler Festspiele. In 2006, he appeared in La Traviata, The Magic Flute, The Gondoliers and The Pirates of Penzance – all for Opera Australia – and appeared as soloist with the Melbourne Symphony Orchestra. He returned to OA in 2007 for principal roles in Pirates, Tannhäuser and A Streetcar Named Desire. In 2008, Andrew Brunsdon will sing Rodrigo in Otello for OA and appear in concert with the Queensland Orchestra.

Jonathan Summers - Iago

Jonathan Summers was born in Australia. His repertoire includes the title roles in Simone Boccanegra, Macbeth, Falstaff (Verdi) and Wozzeck (Berg), Amonasro in Aida, Iago in Otello (Verdi), Scarpia in Tosca (Puccini), Kurwenal in Tristan und Isolde and Amfortas in Parsifal (Wagner).

He has performed at the ROH Covent Garden, the English National Opera, the Metropolitan Opera, Opera Australia, and in the opera houses of Munich, Frankfurt, Köln, Chicago, Venice, Florence, Hong Kong, Tokyo and others. At the Israeli Opera he has performed Germont in La traviata, the title role in Rigoletto and Renato in Un ballo in maschera (Verdi).

OA repertoire: Germont in La traviata (debut 1981), di Luna in Il trovatore, Anckarstroem in Un ballo in maschera, Iago in Otello, the four villains in Les contes d’Hoffmann, Michele in Il tabarro, Balstrode in Peter Grimes, Alfio in Cavalleria rusticana, Tonio in Pagliacci, Scarpia in Tosca, Wolfram in Tannhäuser and the title roles in Nabucco, Falstaff, Rigoletto, Simon Boccanegra, Wozzeck, Gianni Schicchi.

Other Companies: He was a member of the Royal Opera House Covent Garden 1976-1986, and now appears as a regular guest. He sings with all the other British opera companies; all major European opera houses; and in San Diego, Chicago, New York, Houston, Seoul, Tokyo, Hong Kong and Tel Aviv. Recent engagements: Gepetto in Jonathan Dove’s new Pinocchio (Opera North) and Barnaba: La Gioconda (Israel Opera). Future engagements: Iago (Opera Australia, Melbourne)

Kanen Breen playing Cassio
and Andrew Brunsdon playing Roderigo

Michel Bénébig, nouveau gourou du jazz hammond dans le Keyboard Mag USA de juillet

Fabino — Mon, 14 Jul 2008 07:58:44 +0000

Mark Vail, journaliste, historien, musicologue, est l’auteur notamment des livres “Vintage Synthesizers” et “The Hammond Organ : Beauty In The B”. C’est un chroniqueur régulier du magazine Keyboard USA. Il signe dans l’édition de juillet la critique de l’album “Live in Melbourne” de l’organiste néo-calédonien Michel Bénébig.

Michel Bénébig est né le 27 Juin 1964 à Nouméa. Issu d’une des plus anciennes familles calédoniennes, Michel se découvre une passion pour la musique dés son plus jeune age. A 11 ans il joue déjà de la Guitare Basse, de l’Accordéon, de l’Orgue électronique ainsi que du Synthétiseur dans des Orchestres de variétés et de danse de la place. A 16 ans il entre à l’Ecole Territoriale de Musique de Nouméa et intègre la classe de Piano de Pascal Van-Ecke… Vous pouvez lire la suite de son CV sur son blog.

L’album “Live in Melbourne” est distribué par ” Sound Vault Records ” Australie. C’est un enregistrement “live” des concerts donnés au Scarlette Jazz Club - Melbourne - en février 2007. Michel Bénébig (orgue Hammond “New B3P”) s’était entouré pour l’occasion de Vaughn Roberts (trompette), Adam Simmons (saxophones), Mike Jordan (batterie). Il y interprétait des création pour la plupart de sa composition.

Plus récemment, en juin 2008, il était en tournée en Nouvelle Calédonie en compagnie du guitariste américain Randy Johnston et du batteur australien Mike Jordan.

Du 20 au 25 juillet 2008, il sera en concert en Australie, à Melbourne. Sa formation, intitulée pour l’occasion le “Michel Bénébig Soul-Jazz Quintet”, sera composée de :

Shem (chant - NC)
Cam Mc Allister (trompette - Melbourne)
Lachlan Davidson (saxophone - Melbourne)
Dave Palmer (trombone - Melbourne)
Mike Jordan (batterie - Melbourne)
Michel Bénébig (Orgue Hammond - NC)

Lieux, dates et horaires de la tournée :

BENNETTS LANE JAZZ CLUB - 25 Bennetts lane, Melbourne City
20/07 - 20h 30 - Tél : 96632856 - web-site : http://www.bennettslane.com

SPENCERS LIVE - 419 Spencers Street, Melbourne City
22/07 - 20h 30 - Tél : (03)93298821 - web-site : http://www.spencerslive.com

PARIS CAT - 6 Goldie Place, Melbourne City
23/07 - 21h - Tél : 96424711 - web-site : http://www.pariscat.com.au

BERNIES MUSIC LAND (Ringwood) - 381 Canterbury Road
24/07 - 19h 30 - Tél : 98725122 - web-site : http://www.musicland.com.au

BLUE DIAMOND - Level 15, 123 Queen Street, Melbourne City
25/07 - 21h - Tél : 86012720 - web-site : http://www.bluediamondclub.com.au

Ils en parlent aussi :

Vous pouvez aussi retrouver Michel sur Myspace et Youtube.

Ouverture de The Wall, visual & musical french magazine !

Fabino — Mon, 14 Jul 2008 04:58:04 +0000

The Wall, visual & musical french magazine, a ouvert ses portes en cette journée du 14 juillet 2008. Il a en fait vu le jour un peu plus tôt, mais quel plus beau jour pour tirer sa première salve que celui de l’anniversaire de la révolution françoise ?

“The Wall est un magazine en ligne indépendant, un poil conceptuel, voué à la créativité originale d’aujourd’hui sous toutes ses formes, partant du design jusqu’à l’architecture, en passant par les arts graphiques et la musique. Tant qu’il y a de l’inspiration, il y a des articles sur The Wall. Un seul but affiché: publier aux yeux de tous et toutes ce qui a le mérite d’être vu et entendu.”

Parmi les titres au sommaire de ce nouveau magazine que je vous laisse découvrir :

Soulwax, Part of the Week-End Never Dies
Le spot magnifique de MTV HD
punkdISCO, c’est de l’électro trash
La bande annonce la plus réactive au monde
Les JO, pas de son, pas de vidéo
Le clip à faire soi-même: Star Guitar
W. Bush fils de pub, les 10 meilleures
Sander Mulder

Avec en particulier quelques busheries bien senties :

Vous pouvez soumettre vos idées ou vos oeuvres à The Wall afin qu’il en fasse un article :

“Que vous soyez les auteurs de ce que vous nous proposez, ou non, on se fera un plaisir d’y jeter un coup d’œil, et peut-être d’en faire un article en ligne. N’hésitez pas à nous envoyer des liens de blogs, de MySpace, de sites ou de portfolios dans n’importe quelle langue. Vous pouvez également nous faire parvenir des vidéos de votre propre collection ou de Youtube, Dailymotion, Vimeo, etc… ou même des images d’illustration et des fichiers mp3, le tout assorti d’un petit commentaire, ça fait toujours plaisir.”

Bref, un site plein de bonnes intentions qu’il fera plaisir de parcourir et de suivre. Les 6 prochains articles en préparation sont déjà annoncés, et la v1 du site est déjà programmée pour octobre 2008.